To Be Young, Gifted And Black – the saga of Lorraine Hansberry

The play, A Raisin in the Sun, is a piece of Black literature that is a strong part of my DNA.  I grew up quoting from it. My family would reenact parts of it, we had seen the Sidney Poitier movie way too many times, and every time it came to town in one form or another (play, or the musical called—Raisin!) we would go see it.  It never occurred to me as I grew up that the play reflected an author’s quest to tell a universally true story. That was something I learned about later, as a scholar, when I learned about the wonder that was Lorraine Hansberry.

Lorraine Hansberry lived only 34 years.  She wears this look on her face a lot of the time as if she just doesn’t care what you think of her.  Before she became the first Black woman playwright on Broadway and to win the National Critics Circle Award, she was an activist and pushed hard for Civil Rights for African Americans. She wrote for Paul Robeson’s progressive newspaper and for other liberal papers, outing herself as a lesbian in the 1950’s but again: She didn’t care what you thought.  She even married a Jewish man but divorced him a few years later.  Maybe he got on her nerves. She packed a whole lot of living into those 34 short years and left behind that great legacy of A Raisin in the Sun.

Hansberry came by her tenacity honestly.  A Raisin in the Sun is based on her family’s story of what happened when they attempted to improve their lives in the 1930’s and tried to move  to an all-white community. They stayed in the house and refused to move, even when their neighbors attacked them. Their situation became the basis of a Supreme Court case, Hansberry v. Lee.  Hansberry had the nerve to take the ire of their neighbors and turn it into a Broadway success. The play that lives is an example of how universal a story can be. Her tenaciousness and just plain guts reminds me of what it takes to show that one struggle can stand in place for the struggle we all face in this tumult we call life.

In the midst of these calls for diversity in publishing, I needed Lorraine Hansberry to uplift me and remind me that each day is precious and to make each day count for something in this life.  I hope she inspires you to do the same.

Zora Neale Hurston and the Spiritual Song

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Zora Neale Hurston was not a fan of the Fisk Jubilee Singers style of singing.

Last week, I was reminded of the strong opinion  Zora Neale Hurston had in her perspective of how spirituals should be sung. For her, things started to go wrong with the Fisk Jubilee Singers. She talks about this in her essay “The Characteristics of Negro Expression”  and blames them for putting forward this folk material in the wrong way. She insists: “I am of the opinion that this trick style of delivery originated with the Fisk Singers: Tuskegee and Hampton followed suit and have helped in spreading this misconception of the Negro spirituals.” She calls their style, “the Glee Club Style.”

As a Zora Neale Hurston scholar, and the daughter of a spirituals scholar, I was always torn by the insistence of her way and from what I knew in what I had grown up with.  I’ve decided, and I hope Hurston might agree if she knew the current cultural climate, that we’ve got to hold on to these cultural treasures in any way we can. As you read this blog post, these works of literary art and faith are fading from our culture.  From my perspective, holding on to something is better than nothing.

 

To me, the difference in how these songs are interpreted made for a natural conflict in my upcoming work, The Songbird’s Stand. My heroine March Smithson has her own views about the songs of her childhood, but the mysterious new teacher who comes to Milford College, Julian Lewis, has his own ways. Who will win?  Is there such a thing as a victory in a battle of wills over intellectual property?  I hope to bring you the answer at the end of March.

 

Meanwhile, here is a selection from my family singing group, The Gift of Song, as directed by my father.  This song, “Don’t be Weary Traveller” is another one of those clever code songs, if you listen to the words. Aren’t the singers just welcoming some tired dude to Jesus? Listen closely. Just amazing.

 

 

 

Zora takes care of Zora

It’s great when people say they “just love Zora Neale Hurston.” Wonderful, because she most certainly loved herself. As she was. I don’t mean that in an egotistical way. She was unafraid to fully accept who she was in American society. She made no apologies and no excuses. Her ideas are still too radical for a lot of people, but most especially women, to accept. Despite all of our advances, today’s women still make excuses for themselves, and if asked, will express the desire to “change something” rather than loving themselves for who they are.

Zora was way, way, ahead of her time in that she didn’t have list. This is why, if someone says they love her, they need to be ready to embrace all of Zora. A lot of her philosophy was expressed through themes in her novels, but more directly in her essays and in her autobiography, Dust Tracks on a Road. In her landmark essay “How it Feels to be Colored Me,” her take on racism is truly memorable, “I have no separate feeling about being an American citizen and colored. It merely astonishes me. How can any deny themselves the pleasure of my company! It’s beyond me.” People are still blown away by this take on racism. Her view shakes readers by their shirts: You are the stupid one if you let race separate us. Amazing.

She talks about pride in who she is at the beginning of the essay: “I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother’s side was not an Indian chief.” She clearly means to confront those who embrace a potentially distant heritage rather than embracing the one right in front of them.

Zora showcases her pride in herself the moment she steps out of the door: “At certain times, I have no race, I am me. When I set my hat at a certain angle and saunter down Seventh Avenue,…for instance.” A number of readers want to take that as conceit or arrogance. So a woman just be proud of who she is without those labels? Very radical.

However, if you profess to love Zora, you have to love all of her. When most people speak of their love, they mean her most famous novel “Their Eyes Were Watching God.” Usually, they aren’t talking about her conservative viewpoints, her Republican politics or her stance against Brown v. Board of Education of Topeka, et. al. Her stance against that landmark decision wasn’t entirely radial at the time. A number of very famous Negro League baseball players were against Jackie Robinson joining the major leagues for the same reasons. But no one wants to talk about those stances now. Too hot. Too controversial.

Another controversial part of the famous essay says: “Someone is always at my elbow reminding me that I am the granddaughter of slaves. It fails to register depression with me. Slavery is sixty years in the past. The operation was successful and the patient is doing well, thank you.” Her attitude here has been assessed as flip, or disrespectful. Her dismissal of slavery as directly involving her is echoed in the views of young people today.

She held many complex viewpoints about many things: her attitude towards marriage, her decisions not to have children but a career instead, her shifting, elusive sexuality as well as her attitudes about race are enough to make her an equal opportunity offender. She wouldn’t have cared. Zora didn’t seek to satisfy you, but sought to satisfy herself. Her lesson in self-care, to me, was to take care of herself first.  Admittedly, she did this to the exclusion of other people in her life, including her family who professed not to know that she needed closer medical attention at the close of her life. She just didn’t tell them. She probably thought it was her business and not theirs. And then there was the matter of the way she didn’t have much to pay for her funeral or even for a headstone. But if you know Zora, then you know her attitude about that was probably, so what? I’m dead. What do I care?

She may have even known that literary warriors like Alice Walker would care enough to come along and validate her enough to put that late date that she wanted on her headstone. This week it was Zora Neale Hurston’s one hundred and fifteenth birthday. Not that other, higher, number. Folks better recognize!

My word of the year and changes in the blog

20151114_0928142015 has been quite a learning year for me. 2015 always be the first time I realized that I’m not young anymore, the first time I had to go see the doctor again after a physical, the first time that I’m faced with the fact that I don’t wear a red cape and that I’m not immortal.  So my word of the year reflects my understanding that I have to do better for myself by making sure that instead of rushing through things, or overly worrying about the future, I need to take time and experience Joy while I am in the moment.

It’s going to be a tough one. I’m pretty hard headed. I have a lot of pressures in my life. But clearly I have to find a way to deal with these pressures so that I can experience joy on a much more regular basis. I must do better. For example, most folks know that when authors release a book, they mark the occasion in some way. Maybe they have dinner with their families or buy a special piece of jewelry to mark the occasion and make it special.

So, what did I do to mark my three releases this year in the “Migration of the Heart” series?

Nothing.

What did I do for myself after I won two awards this year?

Nothing.

Any celebration after the 4.5 star review from RT magazine?

Nope.

That is a shameful record. I have got to do better.  Even if the people in my life don’t see or understand my accomplishments, I have to see them, acknowledge them and not downplay them as if they didn’t matter.  Because they do.

So, you may have heard, The Representative’s Revolt, the third book in my Milford series, released the other day.  And yes, so far I’m keeping up with my old record of doing nothing. I’m racking my brain to think of what I can do to commemorate the occasion. It’s hard because I’m such a nerd. I don’t wear jewelry, I don’t like fancy restaurants because I always feel as if I can make it better (and cheaper), and I’m allergic to flowers. But I will do something. Feel free to hold me accountable.

My blog will change a bit in 2016, so that I keep these lessons in front of me. (I told you I was hard headed).  The first blog of the month, which will still appear on the second Sunday, will be focused on someone who might have learned this lesson about self care the hard way.  The second blog of the month will still focus on the historical knowledge I’m researching for my novels. At other points in the month, I may still post about something worth reporting about myself, as I have been doing. But 2016 is a year where I become a student, and I’m determined to get the lesson.  And en(joy) the learning process.

Thank you so much for your support and a Happy New Year to you all!

Updates and stuff

My goodness, I was so busy being Immersed two weeks ago, I forgot to put up a blog post! Well, as I launched a new book in November and am preparing to put out another in December (The long-awaited The Representative’s Revolt) I guess that I am human.  But I’m stopping here to inform you all that, A Treasure of Gold did win the RT best cover poll for November.  Thank you for your votes!

Now, A Treasure of Gold may be selected to participate in the RT cover of the year poll. I don’t know how all of this works, but I will keep you posted if my book is selected to participate. The slate will be revealed sometime in the middle of December, so I may make up for the missing blog post anyway. The next blog post–the last for 2015–will be the reveal of my word for 2016. I chose it a while ago, because I was forced to. And that’s all I’ll say for now. 🙂

In the meantime, please know that I appreciate all of the support, votes, book purchases and even comments for all my endeavors.  It means so much.

It’s the middle child’s time to shine!

TreasureOfGold-A300A Treasure of Gold, Nettie Bledsoe’s story, releases on Tuesday. You’ll be seeing plenty of blog posts from me this week about how I came up with the idea and other influences.

So, with your indulgence, I’m posting a personal plea instead of my usual historical content.  I want to ask you to please, vote for the cover of A Treasure of Gold in the RT cover contest for November. It just takes a few seconds, it doesn’t cost anything and you don’t have to sign up for anything. I didn’t think that RT would review this book, much less select the cover for this contest. I would appreciate any help in keeping Treasure high and visible to show that people care about this type of work.

Remember (I sure do), that it was about two and a half years ago that I was told by a publishing official that my work would not sell in publishing for 20 years.

Here is the link.  Feel free to forward or share with others:

http://www.rtbookreviews.com/blog/86249/whats-best-book-cover-month-take-poll

Thank you in advance for any help I can give. I hope that you enjoy Nettie and Jay’s love story!

Cover Reveal for The Representative’s Revolt and my thanks to you all

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Thank you so much to everyone for so many wonderful and lovely birthday wishes yesterday.  I’m very grateful for another year of life and will do my best to bring you some engaging and exciting work over the next year. In that light, I’m posting the great 4.5 review that Treasure of Gold received from RT Book Reviews. I also don’t believe that I made an official cover reveal of The Representative’s Revolt, here on the blog, which is now with the editor and will soon come back to me for more fixing. It’s looking like the start of December for this one.

Please know how very much I appreciate your support for my projects. Here’s to another busy and fulfilling year!

Nettie did good